So excited to share our news that Seed to Sky: Life in the Daintree has won the Whitley Award for Children’s Conservation Awareness, given by the NSW Royal Zoological Society.

The Award ceremony was held at the Australian Museum – it was fantastic to hear the scientists who had won the other awards talk about their work. There is so much still to be discovered about the natural world!

Liz Anelli is in England, so I took her along as a mini-her to make sure she’d be in all the photos! (That’s my husband next to us, plus a horse and rider who may have been there some time…)

It was so exciting this week when Liz Anelli flew all the way from the UK to celebrate the publication of our new non-fiction picture book: Seed to Sky: Life in the Daintree.

I’m so privileged to work with Liz. This book is so beautiful. Every page has a wealth of colour and line and detail—honestly, you could spend a week going over it page by page, and still not find everything!

Here are Liz and I at a school doing a workshop on writing and drawing non-fiction. Lovely to be welcomed!

If you’d like to use Seed to Sky for your children or class, you can find buying links here and teacher’s notes here.

Desert Lake has been having quite a time of it!

I’ve been very proud of this book, not only because it took seven years to write (!), but because Liz Anelli’s illustrations are so magical that it’s like walking around with an art exhibition in your hand.

So, to update:

Desert Lake has won the Australian Standing Orders Librarians’ Choice (Non-Fiction) Award. This is very dear to my heart, as librarians really know their books! And to be chosen by them is a great accolade.

It was shortlisted for the NSW Premier’s Literary Awards (Patricia Wrightson Award), which was won by Leanne Hall for the wonderful Iris and the Tiger.

And now it’s been shortlisted for the Environment Award for Children’s Literature (Non-Fiction) by the Wilderness Society.

It was also a Notable Book in two categories from the Children’s Book Council of Australia.

But the best news of all – it’s going to be a Big Book – and I mean that quite literally! Very few picture books are chosen by publishers to be enlarged for group reading (where the teacher sits with the Big Book at the front and the class read it together). This is my 25th children’s book, and I’ve never had a Big Book before! I’m so excited I can’t tell you!

So keep an eye open for it in August, teachers, librarians and pre-schools. Liz Anelli’s illustrations look even better when they’re Big!

I don’t normally talk about other people’s books on this blog, but I have to let you know about Wendy Orr’s new book – Dragonfly Song.  It’s set in Minoan Crete, and it’s a life work for Wendy, who is one of my favourite writers.

Wendy has been kind enough to write about the research she did for the book on my Pamela Hart website (I write for adults as Pamela Hart).  Have a look at it here.

I just can’t wait for everyone to read this book!

Here are the paperback versions of the first three Betony books – and the new one, Princess Betony and the Hobgoblin.

Aren’t they beautiful? I was saying to my husband today that I think the Hobgoblin story may be the best so far.

It’s always tremendously exciting to receive the advance copy of a new book. There’s nothing like holding it in your hands and knowing that it’s real – at last! This is particularly true of illustrated books, where there can be a long time between writing the book and receiving the printed copy.

So today I did my happy dance, opened the parcel up right there in the post office and showed them around. People were very nice and encouraging and not one person suggested I might be a little odd!

All four of these are out in July.

Here is the cover of the new Princess Betony book, out in July! Isn’t it gorgeous?

I’m very happy to say that the first three Princess Betony books will be released in paperback in July 2016, and they’ll be joined by a fourth: Princess Betony and The Hobgoblin!

Many thanks to Walker Books Australia for their support of this series.

Yesterday I received my advance copy of The Soldier’s Wife.

The actual book. Here it is.

I’d had an ARC (advanced reading copy/proof copy) for a couple of months, and it was exciting to get that. But it wasn’t the Real Thing.

I was so excited and happy to take the Real Thing out of its wrappings and clasp it to my heaving bosom. There may even have been a tear in my eye. I did The Happy Dance. For a long time, because this book, although my 28th, feels like it’s my first. It’s a new genre, a new audience and therefore a big risk for me. There’d been various bumps along the road, too, so I am particularly pleased to see it all come to fruition (available 28th April, just saying).

But this big emotional reaction got me to thinking about The Book.

The first time I ever received an advance copy, it was for my first children’s book, The Willow Tree’s Daughter. I was living alone at the time, and I had no one to show it to. That was what I wanted more than anything else – to show it off. (Naturally, yesterday I got on Facebook and Twitter immediately, but in those long ago days, the interwebs weren’t very webby).

I rang everyone I knew. It was a Thursday night, and for some unknowable reason, everyone I knew was out. Everyone. Even my parents, who never went out on a weeknight!

I felt so buoyed up, so full of something greater than I was, and overwhelmingly grateful, so I decided that I should go to St Mary’s Cathedral and, effectively, show God and say Thank You.

So, being a Sydney girl, I went to St Mary’s Cathedral. By the time I got there, though, it was shut. So there I was, standing outside the barred gates to paradise, with a book in my hand and nowhere to go, still floating and filled with a sense of being uplifted, out of my normal life.

I went to The Gap. If you’re from Sydney, you’re probably laughing now, because The Gap is where people go to kill themselves by flinging themselves off a cliff onto the rocks below.

You might think, not the place to go to be grateful.

But it’s an extraordinary place, as fierce and untamed as you can get in a city, and it was a wild, windy night, so I went to The Gap and stared out at the darkness and felt the salt spray on my face and put all the huge, buoyant excitement into the night and the ocean, because they were big enough to take it.

And the thought that was so big it needed Nature or God to envelope it was: I was an author.
What I mostly thought was: There it is. It is a book. A real book,with my name on it. I am an author and no one can ever take that away.

Twenty-seven books later, I still feel the same way, about every book. A mixture of pride, amazement, gratitude and excitement (and maybe a touch of hubris).

And I’m kind of ashamed to admit it, but I suspect I would’t be as excited by an e-book.

My publishing contacts say that e-books have plateaued at around 25% of sales. But some books, notably mid-list romance and speculative fiction novels, will only be published as e-books, as the readers of those genres have enthusiastically taken to e-readers.

So possibly, if I continue to write fantasy as well as historical fiction (and I will, I’m pretty sure), it may be that book number, say, 35, will be an e-book.

Now, I’ve been heard to say to my students that I don’t care if people buy the hard copy of my book or the digitial version, and that’s true. What I want is readers. Lots and lots of readers! And I get paid as much – or more – for the e-book. I’m coming to realise that what I really mean is: I don’t care which they choose as long as they have a choice. As long as I have that book to hold in my hand, to clutch to my heaving bosom, to put on my shelf.

I’m not saying that signing a contract for an e-book wouldn’t be satisfying or exciting. It would be. But I doubt that I’ll ever be driven to The Gap by a download, even if it’s got a great cover.

Now, the odd thing is – I prefer to read digitally. Especially fantasy and science fiction. Yep, I’m one of those people who’ve pushed hard copy books out of that genre. So I’d like to say ‘Sorry’ to any author who gets an e-book only contract. Really sorry.

And I hope you get as much excitement out of seeing your book up on Amazon as I do getting a hard copy in my hand.